By referencing theories from feminist, posthumanist, queer, critical race thinking and crip studies, these concepts are considered technologies whose components can be examined, disassembled and reassembled by the technical object that is the cartoon, which is considered a tool whose meaning is co-established by the audience. This article analyses how the cartoon show Steven Universe both underpins and defies normative understandings of race, gender and able-bodiedness. Animación, ciencia-ficción, poshumanismo, racialización, género, sexualidad, diversidad funcional, Steven Universe Resumen
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